Joseph Havlat is a leading interpreter of new music, having collaborated with many leading composers. Here, he embarks on a new series of concerts at 1901 Arts Club entitled Points of Departure.
- Points of Departure I - Tues 29 April
- Points of Departure II - Tues 10 June
- Points of Departure III - Tues 9 September - moved to Monday 13 October to avoid Tube Strikes
ProgrammeAldo Clementi
Blues Adagio Cantabile B.A.C.H. Variazioni su B.A.C.H. Preludio Frammento Loure Jocelyn Campbell serial: un(be)com(in)ing Luigi Dallapiccola Sonatina Canonica Jocelyn Campbell very long long medium short Anton Webern Variations |
Photo by Ella Pavlides
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Joseph Havlat |
Joseph Havlat is a pianist and composer from Hobart, Australia, based in London. Working as a soloist and chamber musician for music very new, very old and some things in-between, he has performed in major concert venues around the UK, Europe, America, Japan and Australia.
Joseph is a leading interpreter of new music, having collaborated with such composers as Hans Abrahamsen, John Adams, Thomas Adès, Gerald Barry, Brett Dean, Sir Harrison Birtwistle, Michael Finnissy and Thomas Larcher. As a composer his music often explores the sounds of the natural world, imbued with the harsher shapes of human modernity. He has written music spanning from solo voice to large ensemble, including for Ensemble x.y, of which he was a founding member.
Joseph teaches at the Royal Academy of Music, and enjoys growing ferns.
Joseph is a leading interpreter of new music, having collaborated with such composers as Hans Abrahamsen, John Adams, Thomas Adès, Gerald Barry, Brett Dean, Sir Harrison Birtwistle, Michael Finnissy and Thomas Larcher. As a composer his music often explores the sounds of the natural world, imbued with the harsher shapes of human modernity. He has written music spanning from solo voice to large ensemble, including for Ensemble x.y, of which he was a founding member.
Joseph teaches at the Royal Academy of Music, and enjoys growing ferns.