TIM POSNER cello
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Wednesday 29 January 2025Doors: 6.30pm
Concert: 7.30pm (approx. 100 min, with one interval) Meet the artists in the bar after the performance Tickets: £30 |
7 Star Arts proudly presents a recital by cellist Tim Posner and pianist Joseph Havlat.
Proudly presented by 7 Star Arts supporting the ENO Benevolent Fund
7 Star Arts presents a diverse range of unique and original productions from the intimate life stories of the great composers to dazzling cutting edge musicians of the younger generation.
7 Star Arts’ popular mixed-genre concerts combine music, words and art to create intriguing and engaging aural and visual experiences. |
"When I was diagnosed with leukaemia life suddenly became fragile and scary, not just for me but for my family. When we needed it most the ENO Benevolent Fund stepped in, giving us help and support so I could concentrate on recovery. I'm now back at work and I've just celebrated 25 years at ENO. Thank you." |
When the music stops...Everyone who attends English National Opera (ENO) will experience the thrill of being transported by a live performance that lingers long in the memory. At ENO a hugely gifted ensemble on stage, in the pit and behind the scenes, contributes a wide range of skills to the audience's total enjoyment. But what happens when life suddenly changes through illness or accident and a performer or technician loses the ability to earn a living? At a stroke this person faces an uncomfortable reminder of how precarious a profession opera can be.
This is where the ENO Benevolent Fund, a registered charity first established almost 60 years ago, can make a significant difference. The Fund aims to alleviate hardship wherever it can in the form of a grant or loan. This may involve tiding a person (and sometimes his or her dependants) over a difficult patch, or providing longer-term support. Beneficiaries may include singers with throat and chest problems, musicians afflicted by loss of sight or hearing, wig and wardrobe technicians whose eyes or fingers are no longer up to the job, or any of the dedicated team which unites to make the Company what it is. Sometimes a one-off grant is given for a piece of equipment to help overcome a disability, or a loan to secure immediate medical advice or treatment. The Trustees who administer the Fund consider each case with great care. |
Tim Posner |
Praised by Charlotte Gardner (Gramophone Magazine) for ‘tremendous tonal beauty across his cello’s range, making it sing with hugely attractive mellow, melancholic passion’ and by Geoff Brown (The Times) for ‘technical excellence hand in hand with open emotion’, Tim Posner was the winner of the Thierry Scherz Prize at Sommets Musicaux de Gstaad 2023. He was also the first British cellist to have been awarded a prize at the International Karl Davidov Competition. Born in 1995, Tim has performed as soloist with orchestras including the NDR Radiophilharmonie, Royal Philharmonic Orchestra and the London Mozart Players with conductors such as Andrew Manze.
Tim recently made his debut concerto CD with the Bern Symphony Orchestra, recording works by Bloch, Bruch and Dohnanyi, which has received much critical acclaim. Michel Stockhem (Clic Musique) wrote ‘This new version could establish itself as a modern reference’ and Graham Rickson (The Arts Desk) described him as ‘magnificent throughout’. It was selected by The Strad as part of its ‘The Strad Recommends’ reviews and he has recently been made the ‘One to Watch’ feature in Gramophone Magazine, as well as a Rising Star by both BBC Music Magazine and Classic FM.
Other recent highlights include recordings of chamber music by Boccherini with Steven Isserlis, of Cipriani Potter’s Concertante with the BBC National Orchestra of Wales and Peteris Vasks’ Plainscapes with Candida Thompson and The Netherlands Chamber Choir.
As a chamber musician, Tim plays in various ensembles and in 2010 founded The Teyber Trio with violinist, Tim Crawford and violist, Timothy Ridout, with whom he continues to perform internationally. He has performed at chamber music festivals including the Classiche Forme, Hindsgavl, IMS Prussia Cove (Open Chamber Music), Molyvos International Music Festival, Kronberg Chamber Music Connects the World, Musikdorf Ernen and Cheltenham festivals. As a chamber musician he has collaborated with musicians such as Steven Isserlis, Sir Andras Schiff, Gidon Kremer, Lars Vogt, Emmanuel Pahud and Beatrice Rana and as a guest in ‘Wigmore Soloists’.
Tim is principal cellist of Amsterdam Sinfonietta.
He began playing the cello at the age of eight, studying with his mother, Julia Desbruslais and subsequently with Robert Max. He then studied in the 'Solo Class' of Prof. Leonid Gorokhov at the Hochschule für Musik in Hanover. He draws great inspiration from masterclasses with Steven Isserlis at Prussia Cove.
Tim recently made his debut concerto CD with the Bern Symphony Orchestra, recording works by Bloch, Bruch and Dohnanyi, which has received much critical acclaim. Michel Stockhem (Clic Musique) wrote ‘This new version could establish itself as a modern reference’ and Graham Rickson (The Arts Desk) described him as ‘magnificent throughout’. It was selected by The Strad as part of its ‘The Strad Recommends’ reviews and he has recently been made the ‘One to Watch’ feature in Gramophone Magazine, as well as a Rising Star by both BBC Music Magazine and Classic FM.
Other recent highlights include recordings of chamber music by Boccherini with Steven Isserlis, of Cipriani Potter’s Concertante with the BBC National Orchestra of Wales and Peteris Vasks’ Plainscapes with Candida Thompson and The Netherlands Chamber Choir.
As a chamber musician, Tim plays in various ensembles and in 2010 founded The Teyber Trio with violinist, Tim Crawford and violist, Timothy Ridout, with whom he continues to perform internationally. He has performed at chamber music festivals including the Classiche Forme, Hindsgavl, IMS Prussia Cove (Open Chamber Music), Molyvos International Music Festival, Kronberg Chamber Music Connects the World, Musikdorf Ernen and Cheltenham festivals. As a chamber musician he has collaborated with musicians such as Steven Isserlis, Sir Andras Schiff, Gidon Kremer, Lars Vogt, Emmanuel Pahud and Beatrice Rana and as a guest in ‘Wigmore Soloists’.
Tim is principal cellist of Amsterdam Sinfonietta.
He began playing the cello at the age of eight, studying with his mother, Julia Desbruslais and subsequently with Robert Max. He then studied in the 'Solo Class' of Prof. Leonid Gorokhov at the Hochschule für Musik in Hanover. He draws great inspiration from masterclasses with Steven Isserlis at Prussia Cove.
Joseph Havlat |
Joseph Havlat is a pianist and composer from Hobart, Australia, based in London. Working as a soloist and chamber musician for music very new, very old and some things in between, he has performed in major concert venues around the UK, Europe, America, Japan and Australia.
Joseph is a leading interpreter of new music, having collaborated with such composers as Hans Abrahamsen, John Adams, Thomas Adès, Gerald Barry, Brett Dean, Sir Harrison Birtwistle, Michael Finnissy and Thomas Larcher. As a chamber musician he has performed with William Bennett, James Ehnes, Steven Isserlis, Katalin Károlyi and Jack Liebeck, alongside regular duo partners Lotte Betts-Dean and Charlotte Saluste-Bridoux. He is also a member of the LSO percussion ensemble with whom he has released a CD on the LSO Live label, featuring the premiere recording of John Adams’ two-piano work ‘Roll Over Beethoven’.
As a composer his music often explores the sounds of the natural world, imbued with the harsher shapes of human modernity. He has written music spanning from solo voice to large ensemble, including for Ensemble x.y, of which he was a founding member. Current work includes music for viola and piano commissioned by Sally Beamish, and a mixed ensemble piece for the Australian Festival of Chamber Music.
Joseph studied at the Royal Academy of Music in London under Prof. Joanna MacGregor from 2012-18, where he received his BMus and MMus with distinction, including awards for exceptional merit in studentship and the highest recital mark for a postgraduate pianist. He has been a Young Artist of St. John’s Smith Square, the Oxford Lieder Festival and Kirckman Concert Society, and was a first prize winner of the Royal Overseas League Music Competition.
Recent highlights include playing Adès’ In Seven Days with the LSO under the baton of the composer, as well as the premiere of his Növények at Wigmore Hall. In late 2021 he appeared with the BBC Philharmonic giving the premiere of Robert Laidlow’s piano concerto Warp, broadcast on BBC Radio 3, and in 2023 he made his solo recital debuts at King’s Place and Wigmore Hall in London, where he appeared five times in the 2023-24 season.
Joseph has been featured on several recent CD releases in the past few years: Finnissy vocal works on Divine Art Metier (with Lotte Betts-Dean and Marsyas Trio), Lisa Ilean’s Weather a Rare Blue and Rebecca Saunders’ murmurs for NMC (with Explore Ensemble), and two solo CDs, one featuring Czech and Hungarian folk music, and the other the premiere recording of Isabella Gellis’ The Dissolute Society Comprised of All Sorts. He has begun a fruitful collaboration with Delphian Records, with whom two chamber CDs are currently in post-production and two further planned during 2024, one with Lotte Betts-Dean and one with violist and composer Sally Beamish.
Joseph teaches piano at the Royal Academy of Music.
Joseph is a leading interpreter of new music, having collaborated with such composers as Hans Abrahamsen, John Adams, Thomas Adès, Gerald Barry, Brett Dean, Sir Harrison Birtwistle, Michael Finnissy and Thomas Larcher. As a chamber musician he has performed with William Bennett, James Ehnes, Steven Isserlis, Katalin Károlyi and Jack Liebeck, alongside regular duo partners Lotte Betts-Dean and Charlotte Saluste-Bridoux. He is also a member of the LSO percussion ensemble with whom he has released a CD on the LSO Live label, featuring the premiere recording of John Adams’ two-piano work ‘Roll Over Beethoven’.
As a composer his music often explores the sounds of the natural world, imbued with the harsher shapes of human modernity. He has written music spanning from solo voice to large ensemble, including for Ensemble x.y, of which he was a founding member. Current work includes music for viola and piano commissioned by Sally Beamish, and a mixed ensemble piece for the Australian Festival of Chamber Music.
Joseph studied at the Royal Academy of Music in London under Prof. Joanna MacGregor from 2012-18, where he received his BMus and MMus with distinction, including awards for exceptional merit in studentship and the highest recital mark for a postgraduate pianist. He has been a Young Artist of St. John’s Smith Square, the Oxford Lieder Festival and Kirckman Concert Society, and was a first prize winner of the Royal Overseas League Music Competition.
Recent highlights include playing Adès’ In Seven Days with the LSO under the baton of the composer, as well as the premiere of his Növények at Wigmore Hall. In late 2021 he appeared with the BBC Philharmonic giving the premiere of Robert Laidlow’s piano concerto Warp, broadcast on BBC Radio 3, and in 2023 he made his solo recital debuts at King’s Place and Wigmore Hall in London, where he appeared five times in the 2023-24 season.
Joseph has been featured on several recent CD releases in the past few years: Finnissy vocal works on Divine Art Metier (with Lotte Betts-Dean and Marsyas Trio), Lisa Ilean’s Weather a Rare Blue and Rebecca Saunders’ murmurs for NMC (with Explore Ensemble), and two solo CDs, one featuring Czech and Hungarian folk music, and the other the premiere recording of Isabella Gellis’ The Dissolute Society Comprised of All Sorts. He has begun a fruitful collaboration with Delphian Records, with whom two chamber CDs are currently in post-production and two further planned during 2024, one with Lotte Betts-Dean and one with violist and composer Sally Beamish.
Joseph teaches piano at the Royal Academy of Music.
Wednesday
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Doors: 6.30pm
Concert: 7.30pm (approx. 70 min, no interval) Meet the artists in the bar after the performance Tickets: £30 |